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Hand Made Copper Alloy Gold Gilded 12.75" Chakrasamvara with Vajravarahi Statue
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Name |
Chakrasamvara Vajravarahi Statue |
Height |
12.75โ with frame |
Height |
11.75โ with Khatvanga |
Height |
11โ without frame |
Width |
10โ |
Depth |
4.5โ |
Material |
Lost Wax Method, Copper Alloy with 24 Karat Gold Gilded and Hand Painted Face |
Actual Weight |
3.186 Kg. |
Ships From |
Patan, Nepal |
Shipping Provider |
Express Shipping Service |
Shipping Time |
Usually ships within 48 hours. Allow 5 โ 7 business days for delivery worldwide. |
Insurance |
Insurance is included in the shipping cost. |
Chakrasamvara, also called Heruka, embraces his consort Vajravarahi passionately. Chakrasamvara represents bliss and Vajravarahi represents emptiness; together they symbolize the indivisible union of bliss and emptiness and express the perfect balance of enlightenment. Chakrasamvaraโs practices are believed to have many special qualities and quickly bring powerful blessings and accomplishments. The instructions for this Tantric path were first taught in theย Root Tantra of Herukaย by Buddha Vajradhara.
Chakrasamvara is depicted in his four-headed, twelve-armed form; his body is the manifestation of omniscient wisdom, clearly indicated by his three eyes, symbolizing knowledge of past, present, and future. Chakrasamvaraโs outstretched right leg treads on the breast of red Kalarati, the principal worldly goddess. His bent left leg treads upon black Bhairabha, the principal worldly god. Chakrasamvara treads on Kalarati and Bhairabha to show that he has abandoned the two extremes of existence and non-existence, and the two extremes of samsara and nirvana. His abandonment of nirvana in order to work for the benefit of sentient beings demonstrates his boundless great compassion.
Chakrasamvaraโs twelve arms indicate that he has abandoned the cycle of the twelve dependent-related links โ that is, samsara. His first two arms embrace Vajravarahi with his left hand holding a bell, representing wisdom, and his right hand holding a Vajra, representing skillful means. His next two hands hold a white elephant skin stretched across his back, showing that he has abandoned the ignorance of self-grasping. His third right hand holds a Damaru, the fourth an axe, the fifth a curved knife, and the sixth an upright three-pointed spear. His third left hand holds a Khatanga marked with a Vajra, the fourth a skull cup brimming with blood, the fifth a Vajra noose, and the sixth a four-faced head of Brahma.
The sound of the Damaru invokes all Buddhas to bless sentient beings. The axe represents the abandonment of all faults of body, speech, and mind. The curved knife is used to cut the root of delusion: grasping at extremes. And the three-pointed spear symbolizes abandoning the imprints of delusions of the three realms. The Khatanga represents Chakrasamvaraโs ultimate Bodhichitta, and the skull cup filled with blood symbolizes his realization of emptiness with a mind of spontaneous great bliss. The Vajra noose indicates that his mind is always bound by bliss, and the four-faced severed head of Brahma, held in Chakrasamvaraโs left โwisdomโ hand, symbolizes both his severance of all conceptions, and his development of altruism through the four immeasurable of compassion, love, sympathetic joy, and equanimity.
Chakrasamvaraโs four faces show that emptiness can be realized by meditating on the four doors of perfect liberation. Each of Chakrasamvaraโs heads is adorned with a crown of five human skulls. His hair is done up in a topknot and on the left side is a half moon, slightly tilted. His topknot is surmounted by a gleaming nine-faceted jewel. He wears a lower garment of a tiger skin, representing his abandonment of hatred, and a long necklace of fifty shrunken moist human heads, which indicate his abandonment of ordinary appearances and conceptions. He is adorned with a number of bone ornaments including earrings, necklaces, bracelets, and anklets.
He displays nine moods. The three physical moods of majesty, heroism, and menace are expressed by his body maintaining an air of majesty, his feet treading on Bhairabha and Kalarati, and the frown at the center of his brow. The three verbal moods of laughter, truth, and ferocity are expressed by the slight smile on his lips, his bared teeth, and his tongue curled back. The three mental moods of compassion, attentiveness, and serenity, are expressed by his long almond-shaped eyes, his wide-open eyes, and his looking at Vajravarahi from the corner of his eyes.
Vajravarahi is naked with freely hanging hair and wears a lower garment made from fragments of a skull. Her left hand, embracing Chakrasamvaraโs neck, holds a skull cup brimming with the blood of the four maras. Her right hand in the threatening mudra brandishes a curved knife, opposing the malignant forces of the ten directions. Her body shines with a brilliance like that of a fire at the end of an aeon. Her two legs are clasped around Chakrasamvaraโs thighs. She is the nature of blissful great compassion. She wears a crown of five human skulls and a necklace of fifty human skulls. Chakrasamvara and Vajravarahi abide in the center of a fiercely blazing fire of exalted wisdom, and they are supported by a lotus representing the complete purity of body, speech, and mind.
Expertly cast from copper alloy, adorned with radiant gold gilding, and featuring a hand-painted face, this exquisite sculpture beautifully depicts Chakrasamvara in union with Vajravarahi. Crafted using the esteemed Lost Wax Method, the statue exemplifies the pinnacle of sacred artistry, showcasing intricate carvings that highlight the profound symbolism and dynamic presence of the deities.
The meticulous hand-carvings, masterful painting, and brilliant gold gilding come together to create a stunning work of art that is both spiritually significant and visually captivating. Each detail reflects the dedication and skill of its creators, bringing to life the divine energy embodied in Chakrasamvara and Vajravarahi.
This remarkable piece was individually handcrafted in Patan, Nepal, by the master artisans of the renowned Shakya clan. Celebrated for their exceptional craftsmanship, these artisans are the modern custodians of an ancient tradition, revered for creating sacred art for temples and monasteries. Their expertise, honed over generations, is evident in every aspect of this extraordinary sculpture.
A harmonious blend of spirituality, heritage, and artistry, this representation of Chakrasamvara with Vajravarahi stands as a timeless testament to the unparalleled skill and devotion of its creators.
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