Hand Made Gold Gilded and Hand Painted Face 15.25" Thousand Armed Avalokiteshvara Statue

Thousand Armed Avalokiteshvara / Chenrezig Statue

 Thousand Armed Avalokiteshvara / Chenrezig – Bodhisattva of Boundless Compassion

Avalokiteshvara (Guan Yin in Chinese; Chenrezig in Tibetan; Kannon in Japanese) is the Bodhisattva of Compassion. Among the Bodhisattvas, it is Avalokeshvara who has the largest number of forms and is perhaps the most venerated and most popular Buddhist deity. His sex, originally masculine, is sometimes considered feminine in China and Japan, although this discrimination is unsupported by any canonical text and was often considered in China and Japan as the 'mother of the human race' and, in this respect, worshiped in the form of a woman.

Among the 108 forms of Lokiteshvara, Avalokeshvara is one who refuses to accept Nirvana since he considers such acceptance selfish in view of the ignorance of the great majority of the people who have not yet attained that stage. His sacrifice symbolizes infinite compassion (Karuna), sharing of mankind's misery, willingness to help those in distress. Avalokeshvara holds in his hand the indestructible jewel. He is savior and protector from danger. So, his invocation (Mantra) “OM MANI PADME HUM” is found inscribed on rocks, loose stones, prayer wheels, etc.

Avalokiteshvara is known from very early in the development of the Mahayana doctrines and, until Buddhism disappeared from India, enjoyed great favor there. His cult passed from India to South-East Asia and Java, where it met with great success, and also in Nepal, Tibet (where he arrived with Buddhism and where King Srong - Tsong Gampo, 519-650, was considered to be his incarnation), and in China, from where he went on to Korea and Japan. All these countries imagined him in different forms according to their own temperaments and spirituality.

Gestures and Attributes

It is said that Chenrezig once grew exhausted and discouraged from the overwhelming task of rescuing sentient beings. While struggling to comprehend the needs of so many, his head and body exploded into a thousand pieces. Buddha Amitabha came to Chenrezig's aid and helped prepare the Bodhisattva for his monumental task. Amitabha endowed Chenrezig with eleven heads, with which to hear the cries of the suffering, and also with a thousand arms, with which to aid the suffering multitudes.

Chenrezig's eleven faces are arranged in three tiers, topped by the wrathful face of Vajrapani, and, at the very top, the face of Buddha Amitabha. The skin of a deer is draped over Chenrezig's left shoulder and heart, symbolizing his compassionate nature. His first two principal hands are pressed together at his heart in deference to his teacher, Amitabha; and his other principal hands hold a crystal rosary, a lotus blossom, an undrawn bow and arrow, an eight-spoked Dharma wheel, and a golden water pot. Each of Chenrezig's one thousand hands has an eye in the center of its palm, symbolizing the union of the five method perfections (five fingers) with the sixth perfection of wisdom (eye).

About this Sculpture

Expertly cast from copper alloy using the traditional Lost Wax Method, this exquisite sculpture of Thousand-Armed Avalokiteshvara (Chenrezig) is a true testament to sacred artistry. Adorned with radiant 24-karat gold gilding and a meticulously hand-painted face, it embodies both divine grace and exceptional craftsmanship.

Individually handcrafted in Patan, Nepal, by master artisans of the renowned Shakya clan, this sculpture reflects a heritage of unparalleled skill and dedication. These artisans, celebrated as among the finest in the world, are the modern torchbearers of a centuries-old tradition of creating sacred art for temples and monasteries. The intricate metalworking techniques they employ have been passed down through generations, preserving the essence of ancient craftsmanship.

This sculpture not only serves as a profound representation of compassion and spiritual devotion but also as a timeless work of art that honors the enduring legacy of Nepalese artistry.